中文体育类核心期刊

中国人文社会科学期刊AMI综合评价(A刊)核心期刊

《中文社会科学引文索引》(CSSCI)来源期刊

美国《剑桥科学文摘》(CSA)收录期刊

中国高校百佳科技期刊

LIU Wenwu, XU Xiaoliang, ZHAO Zehao, ZHU Dong, HAN Liyun. Technique-Meaning-Based Cultural Production of Wushu[J]. Journal of Shanghai University of Sport, 2022, 46(11): 51-60. DOI: 10.16099/j.sus.2021.03.15.0002
Citation: LIU Wenwu, XU Xiaoliang, ZHAO Zehao, ZHU Dong, HAN Liyun. Technique-Meaning-Based Cultural Production of Wushu[J]. Journal of Shanghai University of Sport, 2022, 46(11): 51-60. DOI: 10.16099/j.sus.2021.03.15.0002

Technique-Meaning-Based Cultural Production of Wushu

  • Wushu culture has always been mobile in the long history, as it keeps upgrading by people's generating and consuming its content in different eras. Based on cultural production theory, the cultural production of Wushu is tried to explore in the three aspects of premise, practice and goals. It is shown that techniques, which are taken as the standard of technical movements in Wushu, should be highlighted to be the basis of "practice" and "combat", therefore a deep understanding of techniques is the premise of recognizing technical meaning of Wushu, cultural capital, Wushu film and television practice, as well as the education and research constitute the main fields of cultural production of Wushu, and the technical meaning forms the core of cultural production of Wushu.
  • loading

Catalog

    /

    DownLoad:  Full-Size Img  PowerPoint
    Return
    Return