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近代“武侠”形象的再造与“新民”动员

Reconstruction of "Wuxia" Image and the Mobilization of "New People" in Modern China

  • 摘要: 通过文献资料法考察传统“侠”的转型过程及其“新民”动员实践。认为:①在近代内忧外患的背景下,传统“侠”被知识精英重新发掘并重塑为“武侠”,在具体实践中,从“赴士之厄困”转向“赴国之厄困”,从“任事自雄”转向“刚强奋发”,从“一二侠者”转向“匹夫有责”;②在“武侠”形象的塑造过程中,围绕“新民”目标,将“救国”“尚武”“雄健”作为书写重点,刻画出“为国为民”“刚强奋发”“体健技强”的新形象;③知识精英将该形象作为改造国民身心的理想蓝图,成为社会动员的重要文化符号。

     

    Abstract: The transformation of traditional "xia"(chivalrous) and the mobilization practice of "new people" are examined through the method of literature review. It is believed that, under the background of domestic troubles and aggression from foreign powers in the modern period of modern China, the traditional "xia" was reactivated and reshaped into "Wuxia" (martial arts chivalry) by the intellectuals. In practice, it transformd from "helping with personal difficulties " to "helping the country's crisis", from "taking responsibility and self-conceited" to "striving to be strong", from "one or two chivalrous persons" to "every man is martial arts chivalrous". In the image shaping of "wuxia", "new people" was set to be the goal, during which "saving the country","martial arts worship" and "vigorous" were taken as the key words to depict the new image of "wuxia", that is, serving the country and people, striving to be strong and with good physical skills. The intellectual elite took this image as an ideal blueprint to transform the body and mind of people, which became an important symbol of social mobilization.

     

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