Abstract: Wushu culture has always been mobile in the long history, as it keeps upgrading by people's generating and consuming its content in different eras. Based on cultural production theory, the cultural production of Wushu is tried to explore in the three aspects of premise, practice and goals. It is shown that techniques, which are taken as the standard of technical movements in Wushu, should be highlighted to be the basis of "practice" and "combat", therefore a deep understanding of techniques is the premise of recognizing technical meaning of Wushu, cultural capital, Wushu film and television practice, as well as the education and research constitute the main fields of cultural production of Wushu, and the technical meaning forms the core of cultural production of Wushu.